As a current tutor at City University’s Novel Studio, I want to remind anyone interested that the deadline for applications is fast approaching.
The Novel Studio offers fifteen selected students the opportunity to work on their novels-in-progress in twice-weekly evening sessions that run over three terms. The course guides participants through the tricky terrain of novel writing, from plotting, planning and research through to character development, pacing, narrative voice and style, revisions and editing. The module I am teaching this term is “The Publishing Industry” and it culminates in an end-of-year reading event to friends of the students involved as well as invited industry guests.
As a tutor, I have been really impressed by the standard of work produced by the group this year, and also their serious level of commitment to the novels they are writing. If you are interested in applying for 2013/14, here’s what you need to do:
Email 2,000 words of your own fiction (short story or novel extract) and a copy of your CV to Emily.Pedder.email@example.com. Alternatively, you can post your work to the following address:
The Novel Studio
City University London
London EC1V OHB
The deadline is 30 May 2013. For more information, please see the applications page of the City website.
The Mslexia diary I’d ordered arrived this week. As usual, in addition to all the calendar-related stuff you’d expect, it contains inspiring words by writers, a useful directory and summary of The Writing Year ahead, and plenty of blank pages for scribbling down ideas.
The diary’s theme in 2013 is collaboration and the Inspirations page for August focuses on the writing friendship between Emma Claire Sweeney and I, which we talked about in our feature in The Times back in May and also in our recent discussion panel at the NAWE conference.
Having had such an enjoyable time at last year’s NAWE conference, I was really happy to take part in another panel discussion there this year. This time, Emma Claire Sweeney and I gave a presentation on the subject of friendships between writers along with two other “writing friends”, Emily Pedder and Monique Roffey.
Some people might remember that Emily and Monique were two of the writers we interviewed for our feature in The Times
back in May. Taking the newspaper article as a starting point, we used our session at the conference to ask Monique and Emily some questions inspired by what they’d told us the last time we met with them.
Emma and I were also able to delve a little further into the friendships of some of the historical writers that our research for the article had centred on – Brontë and Gaskell, Fitzgerald and Hemingway, Mansfield and Woolf to name but a few – as well as discussing practical tips with our audience of modern day writers for ways of sustaining a successful writing friendship through the good as well as the rockier times.
Having been friends with Emma for well over a decade now, I feel extremely lucky to have someone who’s been with me through my writing years. As we shared with the group at the conference, there have been ups and downs in the trajectories of our careers, disappointments as well as triumphs, but something I really do appreciate is that Emma’s been there for the whole of this period and that she’s still usually the first person I turn to if I have a difficult decision to make or a knotty plot problem that I’m struggling to untangle.
For this piece, we had the pleasure of travelling out to Ireland to interview Anne Enright (shortlisted this year for The Forgotten Waltz) and her friend Lia Mills. Back in London, we met with Jill Dawson and Louise Doughty, both former Orange nominees who’ve long been a source of support to each other), and also Emily Pedder and Monique Roffey (shortlisted in 2010). These two signed a co-mentoring agreement to keep themselves on track with the writing of their memoirs.
The inspiration for this article grew out of personal experience. Emma and I have been the best of friends since we met, in Japan, over a decade ago. We were working as English teachers in Japanese schools at the time. Separately, we were writing in secret, although we hadn’t yet found the courage to admit our ambitions, even to each other. Since then, we’ve been able to watch each other’s careers progress and we’ve shared in the successes and also the disappointments we’ve experienced so far. It’s been wonderful to talk with other women who’ve relied on each other in similar ways.
Many thanks to Anne, Emily, Jill, Lia, Louise and Monique. Thanks also to Tim Clare and Joe Dunthorne for your insights on a friendship between two male writers. This story is also featured in our piece.
Finally, thanks to Emma herself. Despite the long hours we’ve put into this, working with you has been just as fun as it always is.
The Novel Studio (formerly known as The Certificate in Novel Writing) will be running at City University London from autumn 2012. This will be a three-term, year-long course, that aims to guide fifteen selected students through the various aspects of writing a novel, as well as preparing them for work with agents and editors.
If you think you or someone you know might be interested, I encourage you to find out more from the City University website. Or if you have any questions you think I could answer, do please get in touch using the Contact Emily tab on the home screen.